Mediocre script and weak climax undercut HUM DO HAMARE DO

HUM DO HAMARE DO is the story of a man who gets fake parents in order to impress the girl he loves. Dhruv Shikhar (Rajkummar Rao) was an orphan who worked as a child in a dhaba run by Purshottam Mishra (Paresh Rawal). One day, he ran away and studied hard. He then became a successful entrepreneur and creator of a VR app called Jaadugar. During his app launch event, he met vlogger Anya Mehra (Kriti Sanon). He fell in love with her, and she began to like him. However, she wants to marry someone with a sweet family. She did it for a reason. Her parents died when she was a child. Her chacha Sanjeev Mehra (Manu Rishi Chadha) and his wife Rupa Mehra (Prachee Shah Pandya) raised her as their own child. Dhruv worries that if he tells her the truth that there is no one in this world, she might leave him. So he lied that he lived with his parents. Anya agrees to marry him. Then he and his best friend Shunty (Aparshakti Khurana) decide to find a man and woman who can pretend to be his parents. Shunty took him to Shadiraam (Sanand Verma). He is a professional wedding planner and can also help attract fake guests. He lined up hundreds of men and women for Dhruv’s request. Sadly, none of them fit the bill. At this point, Dhruv remembered Purshottam, who is now retired and settled in Shimla. He also realized that he was in love with Deepti Kashyap (Ratna Pathak Shah) who also lived in Shimla. Purshottam knew she lived in the same city, but was afraid to approach her. When Dhruv learns that Deepti is Purshottam’s old lover, he convinces her to become her mother. She agreed, and once she joined, Purshottam followed suit and agreed to be his father. Anya’s family and Dhruv’s “family” then met at a restaurant. Everything was going well until Purshottam drank too much. He became so emotional that he asked Deepti to marry. Terrified Deepti left. Someone in the restaurant filmed a video of the marriage proposal and it went viral. This embarrassed Dr Mehra, who is now reconsidering whether Anya should be allowed to marry into such a family. What happens next makes up the rest of the movie.

The story of Deepak Venkateshan and Abhishek Jain is very interesting and has the potential to be a funny and emotional legend. Prashant Jha’s script fails to do justice to such a wonderful plot. Some funny and emotional scenes do stand out, but overall, some of the developments are hard to digest. Prashant Jha’s dialogue is great in some places, but overall it could have been better. Some recent similar scenes in this space, such as BADHAAI HO [2018]Barra [2019]MIMI [2021] Etc has set a benchmark, and the film fails to surpass those in a single line.

Abhishek Jain’s directing is decent, although he has far better control over the writing in previous regional films. He handles the romantic track well and the part where Dhruv combines with his pretend parents in the second half. Also, spaced points do cause laughter. But the film is disjointed, and that’s even the editing to blame. There was potential to add more humor, but Abhishek missed the opportunity. The explosion of Dhruv in the climax is incredible. The orgasm came so quickly that it was puzzling how the determined Dr. Sanjeev Mehra had changed his mind.

HUM DO HAMARE DO begins with a very sweet note. Dhruv and Anya’s first meeting was a little awkward, but it worked. Dhruv and Anya’s romance scene is nice and sets the stage for the movie. After a while, people do get restless because people have already seen the trailer and how the story will play out next. The movie only gets interesting again when Purshottam and Deepti agree to be Dhruv’s parents. The scene where the two families meet is interesting. After the interval, the scene of Anya living with Dhruv’s “family” makes for a nice watch. The scene where Deepti talks to Dhruv about her strained relationship with her son is very touching. One hopes that the movie will get better from here. However, both pre-climax and orgasm failed to produce the expected effects.

Rajkummar Rao did well, but was overshadowed by the tall presence of Paresh Rawal and Ratna Pathak Shah. Kriti Sanon is a good fit for this role and provides excellent performance. However, her screen time was limited in the first half. Also, the love story in general suffers due to more happening in the movie. Paresh Rawal was very interesting and enhanced. Ratna Pathak Shah is graceful, and that’s one of the things that makes the film successful in a way. Mazel Vyas (Kanika’s Anya’s sister) left her mark and was great in the scene where Manu Rishi Chadha was questioned in the pre-climax. Aparshakti Khurana is okay, he got a big deal for his role. Manu Rishi Chadha is dependable and Prachee Shah Paandya is lovely. Sanand Verma is a bit over the top, but it works. Sarthak Sharma (little Dhruv) is cute and Khabir Mehta (Chintu) does a good job of playing the naughty kid. Avijit Dutt (Dhruv’s boss) was wasted, as was Shibani Bedi (Shunty’s wife). Aditya Taranch (Sanket) is good.

Sachin-Jigar’s music has no shelf life potential. ‘bansuri’, Plays at the end credits and has a hit feel. ‘Camley’ and ‘Vedha Sajjeya’ Works great in the movie. ‘Laura Pe Gaya‘ played for less than a minute. ‘Damgutkun’ It’s a good sad song. Sachin-Jigar’s background scores are much better.

The photography by Amalendu Chaudhary is fitting. The production design of Dayanidhi Patturajan and Amrish Patange is neat. Rajkummar’s renovated house is particularly appealing, yet realistic. Anisha Jain, Sukriti Grover and Jia-Mallika have plenty of outfits. Dev Rao Jadhav’s editor is out of touch.

Overall, HUM DO HAMARE DO relies on great plot and great performances from the main cast, especially Paresh Rawal and Ratna Pathak Shah. But the mediocre script and weak climax somewhat undercut the impact.

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