Tamil cinema’s greatest surprises of 2022: From ‘Love At this time’ to ‘Vilangu’

It’s the inevitable unpredictability that fuels most conversations round cinema. The fantastic thing about any artwork kind is its skill to interrupt all hypotheses, throw out all schemes and set constructions, and retain the last word management to itself. Tamil audiences have grown to anticipate the sudden, and to suspect the worst from anybody and everybody…. however typically creators take the cake as nicely. Put up the pandemic, 2022 was the primary yr through which theatres in Tamil Nadu had been open for a full calendar yr, and we had sufficient surprises and shocks in retailer on each streaming and the large display.

A watchable high-school/faculty drama after ages

Whereas most knew Darbuka Siva because the composer of Enai Noki Paayum Thota, the filmmaker in him delivered a nice shock with Mudhal Nee Mudivum Nee, a teen rom-com with a forged of newcomers, that captivated youthful audiences and served as a lovely throwback piece for the ‘90s youngsters.

Additionally, did any of you anticipate Cibi Chakravarthi’s Donto be such a hilarious faculty drama? After greater than ten years, Sivakarthikeyan embraced the truth that he’s the proper star for a school entertainer, and he lived as much as the status of his moniker ‘Prince,’ regardless of the disappointing aftertaste of his movie with Anudeep KV.

The unpredictability of Dhanush

Dhanush is among the most unpredictable stars in Tamil cinema, and 2022 was one more testomony to that. The yr began on a horrible notice; his movie with Karthick Naren, Maaran, was unbelievably amateurish. Quoting our overview of the movie, it got here throughout as a “horrible mish-mash of scenes stitched collectively in a haphazard method.”

However Dhanush quickly went on to do Dhanush-like issues, and after The Grey Man, the star took all our collective breaths away with one in all our favorite movies of the yr, Thiruchitrambalam, in a grounding story of a person coping with trauma that doubled as an endearing rom-com. Sadly, his subsequent launch Naane Varuvean didn’t fairly hit the mark.

Cracking the lengthy format crime-drama 

Since earlier than the streaming growth, Tamil content material creators have been attempting to crack the long-format crime thriller. 2022 introduced greater than half a dozen of those titles; just like the underwhelming Tamil Rockerz (SonyLIV), a could-have-been-better Irai (Aha Tamil), a middling Vadhandhi: The Fable of Velonie(Prime Video), an glorious Suzhal: The Vortex (Prime Video), and extra. Suzhal, which hailed from Pushkar-Gayathri, is the truth is one in all India’s greatest successes on OTT lately.

However ZEE5’s Vilangu takes the cake as essentially the most shocking entrant to this listing. Prasanth Pandiyaraj’s collection stars Vemal as a small-town sub-inspector of police, who’s tasked with fixing a collection of crimes. When he finds a mutilated physique, the narrative begins to take many twists and turns. A grounding remedy of a neat investigation helped the present tremendously and it manages to pack in lots of surprises in its seven-episode run.

A vengeful beast

Sure, we’re referring to Vijay’s Beast, however the vengeful beast wasn’t the movie. It was the relentless web trolls. Nelson Dilipkumar’s movie was disappointing, and even his signature parts couldn’t save this supposed invasion thriller with an undercooked screenplay. The web trolling wasn’t new — filmmakers like N Lingusamy have been victims of the identical — however this was a simply reminder that, right here, it doesn’t matter for those who had simply delivered a success like Physician to show your mettle.

The Ulaganayagan got here again with a bang, and it was louder than anticipated

Vikram was hyped to the hilt, as soon as it was introduced that Lokesh Kanagaraj would collaborate with Kamal Haasan, and that the movie would additionally star Fahadh Faasil and Vijay Sethupathi. Lokesh hasn’t given a nasty movie thus far, and as anticipated, he went all weapons blazing for his favorite star to make the most effective crime dramas that Tamil cinema has seen lately.

However even ardent cinema audiences didn’t anticipate the movie to the touch the numbers it did; Udhayanidhi Stalin, who launched the movie, agrees with this. What was much more shocking was how Vikram broke all assumptions concerning the post-OTT viewers; Vikram ran to full attendance in theatres even after its streaming premiere on Disney+ Hotstar.

There’s love in the present day

Love At this time was a shock and shock in equal measure. Pradeep Ranganathan is a brilliant filmmaker who is aware of his viewers nicely. In his second as a director and first as an actor, he proved that you simply don’t want one thing mind-bending to impress the typical film-goer. With an gratifying story, he voiced out one thing we’ve got all considered: the privateness of our cell phones. Right here, he makes use of a rom-com remedy to discover the numerous complexities that have an effect on belief between two people in a modern-day relationship.

Nonetheless, the director does fumble in his makes an attempt to make a steadiness sheet for the sins of his male protagonist and the feminine lead, and in justifying a few of these points.

2022, when Ashok Selvan got here into his personal

Like Vikram Prabhu in Taanakkaran, Vemal in Vilangu, Sai Pallavi in Gargi, or Keerthy Suresh and Selvaraghavan in Saani Kaayidham, actors shock us with stand-out performances yearly. However 2022 was significantly prolific for Ashok Selvan. In three out of his 5 releases as lead, he obtained to flex his performing muscle mass. In Sila Nerangalil Sila Manidhargal, Ashok gave a compelling efficiency as a person riddled with guilt and grief; in Manmadha Leelai, he proved that he may pull off comedy; and in Nitham Oru Vaanam, he seems in 4 distinct roles: as a cooped-up man who finds solace in tales, as a school rowdy in love, as a hopeless villager from rural Tamil Nadu, and in a shock position as nicely. 

‘Kuthiraivaal,’ a beam of hope

No matter Pa Ranjith touched in 2022 turned out to be a shock for the audiences. His directorial Natchathiram Nagargiradhu, regardless of being just like his earlier movies in dialogue, was very experimental in its kind and fairly self-indulgent. Earlier within the yr, Ranjith’s Neelam Productions launched Kuthiraivaal, directed by Manoj Leonel Jahson and Shyam Sunder, a psychological drama with no standard story. Whereas this in itself may be a shock to many, the eye the movie garnered throughout its launch additionally proved that such makes an attempt can have an viewers, regardless of its lukewarm outcomes. Typical storytellers may study a factor or two from Kuthiraivaal, and we would simply get our personal Everlasting Sunshine of a Spotless Thoughts.

A legend in contrast to some other

We nonetheless don’t know if this was a shock or shock, however you don’t all the time get to see a packed cinema corridor at 4 am within the morning, howling at an entrepreneur-turned-actor weeping his coronary heart out. There have been situations, like 2007’s Veerasamy, when a campy movie will get trolled solely to achieve cult standing for its unintentional humour, however ‘Legend’ Saravanan-starrer The Legend actually upped the notch. The movie is unintentionally absurd, every little thing it touches turns into comedy gold and it’s as vibrant as Willy Wonka’s Chocolate Manufacturing facility.

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